for Keith McIvor

On friendship and transience – between Fuji, Unsound and Making Time

It is 12 September 2025 and I am dancing. It is not just sweat running down my forehead and elsewhere during DJ Sprinkles’ (Terre Thaemlitz) four-hour set, it is also tears of joy. After months that felt like years, I trust my legs again to carry me through the night – or at least through four hours like this one at the Socore Factory Club in Osaka. I’ve written about it elsewhere on kaput, and I’ll leave it at that for today. Just this much: we always take it for granted that we can move around and share social spaces with others, but it’s a gift that cannot be appreciated enough.

I have been fortunate enough to have experienced two handfuls of sets by Terre Thaemlitz in my life, including four Sprinkles sets. But the one that night, as part of the Unsound Festival, will remain in my memory forever, second by second. A single great wave of joy. At this point, I would like to salute the club operator, whose exuberant euphoria should be the benchmark for everyone involved in nightlife.

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Festival Report

Rewire Festival: “a timeless and necessary off-ramp from the status quo of music consumption“

At a festival like Rewire, everyone ends up crafting their own version of it, often with surprisingly little overlap, and few festivals of this size offer such a wide range of possibilities. So let me take you through mine.…

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Kapute Szene - Conversations I: Stephan Mathieu

Stephan Mathieu: “Cutting hair, playing drums, computers, Early music, mastering. Ultimately, it all fits together and defines me as a person. Keep learning every day; slow growth is good growth.”

His mastering work is internationally known and covers a broad range of genres, with clients includi…

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25 from 2000-2025

“Brute” (by Fatima Al Qadiri) as Condition: Sound, Power and Resistance

“Brute” by Fatima Al Qadiri not only anticipates the future but also articulates it as a conditi…

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Interview

Chris Ryan Williams: “I’m a relatively introverted person. Leaving my house to get on the bus or the train and just “being” there is a shared experience that I don’t take for granted.”

The screen flickers, and for a fleeting moment, the transatlantic distance between Cologne and New Y…

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Records of the Week Double-Special

Kim Gordon “PLAY ME” / Robyn „Sexistential”  

Two of the most exciting albums of 2026 come from artists who – though arriving from very differen…

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Interview

Amelia Holt: “Are you interested in being part of something special, or are you here for the money?”

I catch up with the New York-based DJ, promoter, and agency head Amelia Holt. Between the snow-duste…

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“Heavy Waters” at CTM 2026

Zeynep Schilling: “I can’t imagine making art only for art’s sake. I’ve always been political, starting in high school.”

“Heavy Waters” is not a metaphor in search of gravity; it is gravity. It asks what it means to m…

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