Interview – Enjoy Jazz Festival
Adrian Younge: Jazz Is Dead
"It’s a hard line between white and black people. It's strange to me because it’s just classism,…
Interview – Enjoy Jazz Festival
"It’s a hard line between white and black people. It's strange to me because it’s just classism,…
EM GUIDE – Interview with Boshra Alsaadi
"The age old struggle…there’s obviously a lot of hardship in the arts. It's also hard for subver…
Interview with Dan Koplowitz from Friendly Fire Licensing
Friendly Fire Licensing is a sync licensing company based in Los Angeles. They represent a wide cata…
Interview
Since the end of Moloko, Róisín Murphy has released solo albums with various producers (incl…
Hiking & talking w/ Masha & Angel
"I’m really just encouraging everyone to create those safe spaces for the community."…
Kim Gordon – Exhibitions at JUBG / O-Town House
"Music in a way is much easier because I try not to think too much about it. I am pretty physically …
Videoeditorial
On 6th of November 2021 Berlin composer Hanno Leichtmann performed a new work at Villa Aurora, Los A…
7 party tales by Vivian Host
"Raves and music gave me a way to express myself and an escape at times where I desperately needed t…
Clubs and festivals in times of Corona / Covid-19
The dusk camp festival, created by the four LA subcultural activists Jennifer Erickson (Jeniluv), M…
FILTER Detroit – Kerstin Niemand on 12645 Moran Street, Detroit
The direct contact with local artists revealed that the metropolis, which until now has only been kn…
Thomas Venker
Back in the days summer meant that the newspapers blew up the most boring stories to make them their…
The title track of the album pretty much constitutes the work that is most typical of Peaches. How a…